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The Gangster Genre

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... Yet, so much of Tokyo Drifter seems to be an embracing of western ideals from dress to the gangster/hero film genre. The finally emerges as a love story again that both demystifies the genre of romance yet uses so many of the genre's (Ghost Dog's final scenes). Such violence is characteristic of Gangster films, and like other films in the genre, Ghost Dog's "final conclusion genre by doing away with numerous accepted conventions of the American musical genre, most specifically that of linear traditions, of loyalty and redemption, individuality or family. Through the violence of a very western gangster genre, ...



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Sources list for THE GANGSTER GENRE:

Andrew Tudor, "Genre" in Film Genre: Theory and criticism , pp 3 - 10. Edited by Barry Keith Grant, Texas: University of Texas Press, 1995.
The Art Film and the Genre Film

Schatz, Thomas. *Film Genre and the Genre Film.* Film Theory and Criticism. Ed. Braudy, Leo, Marshall Cohen. Oxford University, 1999.
Can the Horror Genre and Scopophilia Co-Exist?

Hager, Jean(1998), How to Write and Market Your Mystery Novel, Southmount Publishing, GA. (this book used as a means to clarify genre and sub-genre levels, example only) http://www.booknotes.org/writers/stats3.htm
How Publishers Construct Genre

Thomas Sobchack, "Genre Film: A Classical Experience" in Film Genre Reader2 , pp 19 - 32. Edited by Keith Grant. Austin: University of Texas Press, 1995.
The Art Film and the Genre Film

Author not available, Genre Theory. Accessed on 23-3-2004 from: http://www.jahsonic.com/Genre.html
Romantic Comedy

 

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